"Emily Vine (is) captivating as her childish namesake Emmie."

The Stage

"Bright-toned Emily Vine excelled as Emmie."

Bachtrack

"Emily Vine was a complete charmer as Countess Sylvie, demonstrating a nicely subtle sense of comedy whilst also coping with the spectacular vocal pyrotechnics."

PlanetHugill

"Emily Vine as the kittenish Eurydice stands out: her petite blonde appearance and pretty soubrette soprano should allow her a useful career."

Rupert Christiansen
The Telegraph

"As a soubrettish Eurydice, Vine span a beautiful line and had no trouble hitting the highs, while looking equally classy in Greek tunic and sparkling evening gown."

operatoday.com

"Emily Vine soars and thrills"

The Times
(For Into the little hill, Shadwell Opera)

"Emily Vine's soprano is diamond-clear"

The Spectator
(For Into the little hill, Shadwell Opera)

"As Suor Genovieffa Emily Vine (was) intense and vivid"

Opera Magazine

"Emily Vine's diminutive Suor Genovieffa is enchanting."

The Times

"Emily Vine charmed as Suor Genovieffa"

The Guardian

"Emily Vine as Suor Genovieffa... Took the chance to impress with attractive timbre and phrasing"

Bachtrack

"Emily Vine (was) a charming and delicate Lucia."

Bachtrack

"La Fee's relentlessly intricate coloratura was skilfully spun by Emily Vine, with ethereal delicacy and radiance"

Opera magazine

"Fido (was) a rare coloratura breed brilliantly sung and graphically acted by Emily Vine"

classicalsource.com

"A word of praise is due for Emily Vine as Fido the cute dog"

Rupert Christiansen, The Telegraph

"Emily Vine was delightfully puppyish as Fido with her clear, accurate soprano"

Opera magazine

"Emily Vine's cute Fido stands out among the many cameo performances"

Whatsonstage

I have never witnessed such a perfect Susanna as that portrayed by Emily Vine... Here is a star of the future.

Bristol Evening Post